Angela Kane Canidate 5/29/25 Angela Kane Canidate 5/29/25 5 warning signs in a Script That Will Tank Your Shoot Read More Angela Kane Canidate 5/28/25 Angela Kane Canidate 5/28/25 IS THIS FOR THE CLIENT—OR THE KINGDOM? Read More Angela Kane Canidate 5/26/25 Angela Kane Canidate 5/26/25 You Can’t Direct What You Haven’t First Discerned Read More Angela Kane Canidate 5/25/25 Angela Kane Canidate 5/25/25 DON’T FORGET WHO IT’S FOR: MAKING ROOM FOR THE VIEWER’S HEART Read More Angela Kane Canidate 5/24/25 Angela Kane Canidate 5/24/25 IF YOU HAVE TO CONVINCE THEM, IT’S NOT THE RIGHT CUT Read More Angela Kane Canidate 5/23/25 Angela Kane Canidate 5/23/25 YOU DON’T NEED A VOICEOVER: TRUSTING THE VISUAL TO SPEAK Read More Angela Kane Canidate 5/22/25 Angela Kane Canidate 5/22/25 SET DESIGN THAT SPEAKS: WHAT SPACES SAY WITHOUT WORDS Read More Angela Kane Canidate 5/22/25 Angela Kane Canidate 5/22/25 THE ART OF THE QUIET OPEN: STARTING A FILM WITH STILLNESS, NOT NOISE Read More Angela Kane Canidate 5/21/25 Angela Kane Canidate 5/21/25 THE COST OF RUSHING: WHY SLOW FILMMAKING IS A COMPETITIVE ADVANTAGE Read More Angela Kane Canidate 5/20/25 Angela Kane Canidate 5/20/25 FROM SCREEN TO SHOOT Read More Angela Kane Canidate 5/19/25 Angela Kane Canidate 5/19/25 Story Over Aesthetic: Why Substance Still Wins Read More Angela Kane Canidate 5/18/25 Angela Kane Canidate 5/18/25 Where the Work Happens: The Unseen Hours of Filmmaking Read More Angela Kane Canidate 5/17/25 Angela Kane Canidate 5/17/25 Time is a Character, Too Read More Angela Kane Canidate 5/15/25 Angela Kane Canidate 5/15/25 Cinematic Restraint: Why Holding Back Can Make Your Story Hit Harder Read More Angela Kane Canidate 5/14/25 Angela Kane Canidate 5/14/25 Why We Sometimes Say Yes to Spontaneous Shoots Read More Angela Kane Canidate 5/13/25 Angela Kane Canidate 5/13/25 Pre-Production 101: What It Is and How to Get It Right Read More Angela Kane Canidate 5/12/25 Angela Kane Canidate 5/12/25 Seeing What Others May Not See: The Hidden Discipline Behind Cinematic Flow Read More Angela Kane Canidate 5/11/25 Angela Kane Canidate 5/11/25 FRAMING EMOTION: WHERE CONTRAST BECOMES THE CHARACTER Read More Angela Kane Canidate 5/10/25 Angela Kane Canidate 5/10/25 How Many Shots of Each Scene Is Enough? Read More Angela Kane Canidate 5/9/25 Angela Kane Canidate 5/9/25 The Beauty of Still Frames: Letting Shots Breathe in a Fast-Paced World Read More Newer Posts Older Posts
Angela Kane Canidate 5/29/25 Angela Kane Canidate 5/29/25 5 warning signs in a Script That Will Tank Your Shoot Read More
Angela Kane Canidate 5/28/25 Angela Kane Canidate 5/28/25 IS THIS FOR THE CLIENT—OR THE KINGDOM? Read More
Angela Kane Canidate 5/26/25 Angela Kane Canidate 5/26/25 You Can’t Direct What You Haven’t First Discerned Read More
Angela Kane Canidate 5/25/25 Angela Kane Canidate 5/25/25 DON’T FORGET WHO IT’S FOR: MAKING ROOM FOR THE VIEWER’S HEART Read More
Angela Kane Canidate 5/24/25 Angela Kane Canidate 5/24/25 IF YOU HAVE TO CONVINCE THEM, IT’S NOT THE RIGHT CUT Read More
Angela Kane Canidate 5/23/25 Angela Kane Canidate 5/23/25 YOU DON’T NEED A VOICEOVER: TRUSTING THE VISUAL TO SPEAK Read More
Angela Kane Canidate 5/22/25 Angela Kane Canidate 5/22/25 SET DESIGN THAT SPEAKS: WHAT SPACES SAY WITHOUT WORDS Read More
Angela Kane Canidate 5/22/25 Angela Kane Canidate 5/22/25 THE ART OF THE QUIET OPEN: STARTING A FILM WITH STILLNESS, NOT NOISE Read More
Angela Kane Canidate 5/21/25 Angela Kane Canidate 5/21/25 THE COST OF RUSHING: WHY SLOW FILMMAKING IS A COMPETITIVE ADVANTAGE Read More
Angela Kane Canidate 5/19/25 Angela Kane Canidate 5/19/25 Story Over Aesthetic: Why Substance Still Wins Read More
Angela Kane Canidate 5/18/25 Angela Kane Canidate 5/18/25 Where the Work Happens: The Unseen Hours of Filmmaking Read More
Angela Kane Canidate 5/15/25 Angela Kane Canidate 5/15/25 Cinematic Restraint: Why Holding Back Can Make Your Story Hit Harder Read More
Angela Kane Canidate 5/14/25 Angela Kane Canidate 5/14/25 Why We Sometimes Say Yes to Spontaneous Shoots Read More
Angela Kane Canidate 5/13/25 Angela Kane Canidate 5/13/25 Pre-Production 101: What It Is and How to Get It Right Read More
Angela Kane Canidate 5/12/25 Angela Kane Canidate 5/12/25 Seeing What Others May Not See: The Hidden Discipline Behind Cinematic Flow Read More
Angela Kane Canidate 5/11/25 Angela Kane Canidate 5/11/25 FRAMING EMOTION: WHERE CONTRAST BECOMES THE CHARACTER Read More
Angela Kane Canidate 5/10/25 Angela Kane Canidate 5/10/25 How Many Shots of Each Scene Is Enough? Read More
Angela Kane Canidate 5/9/25 Angela Kane Canidate 5/9/25 The Beauty of Still Frames: Letting Shots Breathe in a Fast-Paced World Read More
