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ABOUT
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VALUES
CHAPLAINS
CAMERA CAR
LITTLE ROCK MOVIE
BLOG
Fragrant Film
Contact
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The Director’s Burden of Clarity: Why Confusion Kills Collaboration
Angela Kane Canidate 10/24/25 Angela Kane Canidate 10/24/25

The Director’s Burden of Clarity: Why Confusion Kills Collaboration

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The death of coverage
Angela Kane Canidate 10/23/25 Angela Kane Canidate 10/23/25

The death of coverage

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The Editor’s Burden: Choosing What Dies for the Story to Live
Angela Kane Canidate 10/22/25 Angela Kane Canidate 10/22/25

The Editor’s Burden: Choosing What Dies for the Story to Live

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The Sacred Chaos of Collaboration
Angela Kane Canidate 10/19/25 Angela Kane Canidate 10/19/25

The Sacred Chaos of Collaboration

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The Film That Almost Was
Angela Kane Canidate 10/18/25 Angela Kane Canidate 10/18/25

The Film That Almost Was

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When Storyboards Become Shackles
Angela Kane Canidate 10/17/25 Angela Kane Canidate 10/17/25

When Storyboards Become Shackles

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The Producer’s Dilemma: Building Systems That Don’t Kill Spirit
Angela Kane Canidate 10/16/25 Angela Kane Canidate 10/16/25

The Producer’s Dilemma: Building Systems That Don’t Kill Spirit

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The Weight of Atmosphere: How a Set’s Spirit Affects the Story
Angela Kane Canidate 10/15/25 Angela Kane Canidate 10/15/25

The Weight of Atmosphere: How a Set’s Spirit Affects the Story

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The Set That Breathes: When Filmmaking Becomes Shared Vision
Angela Kane Canidate 10/14/25 Angela Kane Canidate 10/14/25

The Set That Breathes: When Filmmaking Becomes Shared Vision

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How to Work with a Production Team (Without Losing Your Vision)
Angela Kane Canidate 10/13/25 Angela Kane Canidate 10/13/25

How to Work with a Production Team (Without Losing Your Vision)

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Fragrant Film Blog: The Magic of the Run-and-Gun Shoot
Angela Kane Canidate 10/9/25 Angela Kane Canidate 10/9/25

Fragrant Film Blog: The Magic of the Run-and-Gun Shoot

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How to Read a Director’s Reel (and What to Look For)
Angela Kane Canidate 10/8/25 Angela Kane Canidate 10/8/25

How to Read a Director’s Reel (and What to Look For)

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The Difference Between a Videographer and a Filmmaker
Angela Kane Canidate 10/7/25 Angela Kane Canidate 10/7/25

The Difference Between a Videographer and a Filmmaker

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Rediscovering Wonder in a Predictable World
Angela Kane Canidate 10/6/25 Angela Kane Canidate 10/6/25

Rediscovering Wonder in a Predictable World

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Do We Still Need Reality?
Angela Kane Canidate 10/4/25 Angela Kane Canidate 10/4/25

Do We Still Need Reality?

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AI and the End of Editing as Discovery
Angela Kane Canidate 10/3/25 Angela Kane Canidate 10/3/25

AI and the End of Editing as Discovery

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The New Gatekeepers: Who Really Owns AI in Cinema?
Angela Kane Canidate 9/29/25 Angela Kane Canidate 9/29/25

The New Gatekeepers: Who Really Owns AI in Cinema?

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If AI Learns Your Directing Style, Is It Still Your Film?
Angela Kane Canidate 9/29/25 Angela Kane Canidate 9/29/25

If AI Learns Your Directing Style, Is It Still Your Film?

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The Human Pulse in Film Scoring
Angela Kane Canidate 9/28/25 Angela Kane Canidate 9/28/25

The Human Pulse in Film Scoring

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When AI Designs the Poster: Branding in an Age of Automation
Angela Kane Canidate 9/27/25 Angela Kane Canidate 9/27/25

When AI Designs the Poster: Branding in an Age of Automation

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WRITERS: story.fragrant.film CAMERA CAR: dallascameracar.com PHOTOGRAPHY: imagealive.studio