Angela Kane Canidate 6/7/25 Angela Kane Canidate 6/7/25

How to Store Footage Like a Pro

Read More

Angela Kane Canidate 6/6/25 Angela Kane Canidate 6/6/25

The Best Tools to Learn Filmmaking in 2025 (Without Going to Film School)

Read More

Angela Kane Canidate 6/5/25 Angela Kane Canidate 6/5/25

How to Build a Production Team From Scratch

Read More

Angela Kane Canidate 6/5/25 Angela Kane Canidate 6/5/25

How to Get Into Filmmaking

Read More

Angela Kane Canidate 6/4/25 Angela Kane Canidate 6/4/25

Excellence Isn’t a Deliverable—It’s a Culture You Build With the Client

Read More

Angela Kane Canidate 6/3/25 Angela Kane Canidate 6/3/25

Not Every Client is Your Audience—And That’s a Good Thing

Read More

Angela Kane Canidate 6/2/25 Angela Kane Canidate 6/2/25

From Pressure to Presence: A New Way to Direct Emotion

Read More

Angela Kane Canidate 6/1/25 Angela Kane Canidate 6/1/25

Why One 60-Second Ad Won’t Save Your Brand

Read More

Angela Kane Canidate 5/31/25 Angela Kane Canidate 5/31/25

What Brands Miss When They Cut the Edit Short

Read More

Angela Kane Canidate 5/30/25 Angela Kane Canidate 5/30/25

What Perfume Ads Teach Us About Brand Storytelling

Read More

Angela Kane Canidate 5/29/25 Angela Kane Canidate 5/29/25

5 warning signs in a Script That Will Tank Your Shoot

Read More

Angela Kane Canidate 5/28/25 Angela Kane Canidate 5/28/25

IS THIS FOR THE CLIENT—OR THE KINGDOM?

Read More

Angela Kane Canidate 5/26/25 Angela Kane Canidate 5/26/25

You Can’t Direct What You Haven’t First Discerned

Read More

Angela Kane Canidate 5/25/25 Angela Kane Canidate 5/25/25

DON’T FORGET WHO IT’S FOR: MAKING ROOM FOR THE VIEWER’S HEART

Read More

Angela Kane Canidate 5/24/25 Angela Kane Canidate 5/24/25

IF YOU HAVE TO CONVINCE THEM, IT’S NOT THE RIGHT CUT

Read More

Angela Kane Canidate 5/23/25 Angela Kane Canidate 5/23/25

YOU DON’T NEED A VOICEOVER: TRUSTING THE VISUAL TO SPEAK

Read More

Angela Kane Canidate 5/22/25 Angela Kane Canidate 5/22/25

SET DESIGN THAT SPEAKS: WHAT SPACES SAY WITHOUT WORDS

Read More

Angela Kane Canidate 5/22/25 Angela Kane Canidate 5/22/25

THE ART OF THE QUIET OPEN: STARTING A FILM WITH STILLNESS, NOT NOISE

Read More

Angela Kane Canidate 5/21/25 Angela Kane Canidate 5/21/25

THE COST OF RUSHING: WHY SLOW FILMMAKING IS A COMPETITIVE ADVANTAGE

Read More

Angela Kane Canidate 5/20/25 Angela Kane Canidate 5/20/25

FROM SCREEN TO SHOOT

Read More